a shirtless man asking, “Will you do me in that later?”, and a by passer quickly chiming in to say, “That’s a man, sir.” This short opening sequence sets the tone beautifully for the rest of the film which blatantly speaks to the viewer about transphobia, mob mentality, and violence in society...
Read MoreNews clippings, paint chips, reference images, wire mesh, and just about every drawing material you could imagine, are scattered throughout; revealing Drew Austin's true nature as an artist, one who’s method of making work is constantly in a state of growth and refinement.
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